無需安裝任何插件，即可快速播放
無需安裝任何插件，即可快速播放
無需安裝任何插件，即可快速播放
片名:《臥龍戰(zhàn)警》
類型:動(dòng)作片
上映時(shí)間:1992
上映地區(qū):美國
導(dǎo)演:比爾·杜克
主演:勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯
集數(shù): 更新至0集
語言:英語
【超越影院】推薦動(dòng)作片臥龍戰(zhàn)警在線觀看高清完整版720P播放地址，臥龍戰(zhàn)警的角色塑造得生動(dòng)鮮活，每個(gè)都有自己的特點(diǎn)和魅力，讓人特別喜歡；臥龍戰(zhàn)警的演員有勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯，他們演技精湛，表現(xiàn)非常出色，每一個(gè)細(xì)微的表情和動(dòng)作都恰到好處，引發(fā)觀眾的情感共鳴；是一部值得珍藏的電影。
《臥龍戰(zhàn)警》觀后點(diǎn)評(píng)：臥龍戰(zhàn)警精彩的演技與扣人心弦的劇情，讓觀眾們仿佛置身于其中；臥龍戰(zhàn)警的對(duì)白幽默而有趣，讓觀眾們捧腹大笑，是一部美國地區(qū)好看的電影。
《臥龍戰(zhàn)警》抖音網(wǎng)友點(diǎn)評(píng)：電影臥龍戰(zhàn)警受到觀眾喜愛，因?yàn)榕P龍戰(zhàn)警通過感人的故事情節(jié)，引發(fā)我們對(duì)家庭價(jià)值的思考；臥龍戰(zhàn)警的視覺效果震撼，音樂催人奮進(jìn)，讓人感到激動(dòng)不已。
臥龍戰(zhàn)警講述了：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.Copyright ? 2015-2020 All Rights Reserved
